baptized in grief

Circular Congregational Church Charleston SC by Steven Hyatt-13-L

I used to go to church all the time. Sunday school. Sunday service. Luncheons. Wednesday night supper. Choir practice. Youth group. I drank holy water growing up the way I drink red wine today.

But until this past Monday–Memorial Day–I hadn’t been to church since my Mother’s funeral in December. Not for Christmas. Not for Easter. Not for Ash Wednesday. Or Good Friday. Or Bad Fridays. Or any damn Sunday in between.

But on Monday, at 2:30 in the afternoon, I found myself on a wooden pew of the Circular Congregational Church in downtown Charleston.

I was there for a free concert, part of an annual performing arts festival. The Festival Singers, an a Capella group from Georgia, were scheduled to perform.

The sanctuary filled quickly with locals and tourists and family members and friends. The pews groaned beneath our weight. Bearing all the burdens we didn’t even know we carried.

Arriving early to ensure I could find a seat, I waited. Filled my lungs with deep, tense breaths. I steadied my trembling hands by clutching the purse in my lap. I told myself I could make it.

I held it together through the powerful opening number. Through the Funeral Ikos, devastating as the words were. Through the Polish folk songs from the Holocaust. Through the African spirituals. I held it together through the standing ovation. I heaved a relieved sigh, undetected among the thunderous applause; I was going to make it.

Then the music director turned to the audience. It is tradition, he explained, to end the show with Amazing Grace.

And that’s when I felt my chest swell. Like a raging river was rising up inside of me. And the beat of my heart matched the pace of those waters crashing against my rib cage. A dull, familiar throb pounded at my breastbone, just beneath my collar.

Because that’s where I carry my grief, my guilt, my pain.

A tall, slender soprano stepped forward to lead with a solo. Her voice cut through the humid Lowcountry air with piercing clarity and precision and ease.

Amazing Grace, how sweet the sound.

That saved a wretch like me.

I once was lost but now am found,

Was blind, but now I see. 

My river found its way to the surface. Slipping down my cheeks in quick, sloppy tears. I struggled not let out an audible cry. Not to visibly shake.

But I did nothing to stop those tears from coming.

I cried for my love-hate relationship with religion. For needing it now more than ever, while feeling it slip further and further away.

I cried for my own wretch of a soul. Wading blindly through the waters of doubt and grief. No grace in sight to save me.

And though it should have been a day when I cried for those who gave their lives for this country, I cried instead for the woman who gave life to me.

As that unwavering soprano voice soared along the arches in that sacred space, I let the words wash over me.

Through many dangers, toils, and snares

I have already come.

‘Tis Grace that brought me safe thus far

and Grace will lead me home.

I let the tears take with them even the smallest salty portion of my sorrow.

That moment of release was all the grace I needed.

 

Photo Credit: “Circular Congregational Church Charleston SC” by Steven Hyatt, available for purchase at The Churches of the World

it gets better

I sat alone in my bedroom. Not under the covers, but on top of them. No lights. Only darkness. And I let the music surround me. A frail, breathy a cappella voice singing a lonely song. I turned it all the way up, as loud as it would go. Too loud. I sat perfectly still. And shut my eyes. Her sweet, gentle voice. So vulnerable and strong at the same time. It glided around me as I breathed it in. Filled myself up with that achy ballad. And I didn’t dare exhale.

It was almost as if she was in the room with me. Singing to me alone. A disillusioned lullaby. A forgotten swan song. And as it ended, I tightened my eyes – forcing them closed. Willing her voice to come back to me. Willing the notes to go on. Just one more verse. One final refrain. Wanting to hear that sound more than I wanted to see or dream or think or be.

That feeling. That forsaken moment. I lived that for days and nights and weeks and months and years.

That feeling.  That’s what it was like to miss you.

my bleed american summer

Certain songs take me back to places I don’t necessarily care to return. Dusty corners of memory I’ve boarded away on purpose. Shadows I’d like to pretend aren’t lurking inside my mind. Wounds that never quite healed.

It was Jimmy Eat World that wove its way into the soundtrack of my summer after graduating high school. When Bleed American washed over me like the Georgia heat. When I was stuck between a high school dreamer and a lost college soul.

I was serving coffee in the morning and ice cream at night in the middle of suburbia with A Praise Chorus and Sweetness on repeat every second in between. Working two jobs just to occupy my mind. So it wouldn’t slip up and find its way back to you.

Now when I hear any of those eleven tracks, I can’t help but go back to that endless summer. I remember that poor, sweet 18-year-old girl.

How she felt like she was finally going to move forward, but really she was just spinning in circles around you.

When I couldn’t sleep, I’d put earphones in so those words could keep me company in the darkness. If you still care at all, don’t go tell me now. If you love me at all, don’t call.

I’d let Your House and Cautioners and Hear You Me lull me into my dreams.

I played that CD as I packed up my things at the end of August. As I drove my little cherry red Mustang to Athens for the first time. Windows down. Volume up. As I made my great escape.

I said my goodbyes. This is my sundown. I’m gonna be so much more than this.

I never managed to escape you that summer. And when I hear these songs today, I sometimes wonder if I ever did.