this is what death looks like

I watched a movie last week. It opened in a hospital with a mother on her deathbed.

Her young son standing by her side, holding back tears.

She looked over at him with tired eyes. And said sweet things like I love you, and you’ll be fine, and don’t you worry about me.

Before she drifted gently away.

But death doesn’t look like that.

All glitter and glamor and Hollywood.

And I didn’t know it until last year.

Before anyone dies in the movies, they get to say their final lines.

They get to finish their role.

They get to play their part.

But death doesn’t work like that.

Death comes in when you’re all alone in the hospital on Sunday night.

Because visiting hours are over. And your husband has gone back home.

When you think it’s just a bad cold, but really it’s pneumonia.

When they say you’re in ICU just as a precaution, but a third of hospitalized pneumonia patients don’t make it.

When the doctor comes into your room far later than he should for the day,

And you have to take notes with shaky hands because no one is there to take them for you.

“Respirator”

“Lung failure”

And your two daughters are scattered across the country.

Planning their Christmas visits to see you.

And they have no idea what’s coming.

And neither do you.

That’s how death works.

So you scribble down jagged notes in your tiny book and put it in your purse to tell Tom the next morning when he returns to your side.

But you never get the chance.

You’re the one-third.

And all alone, you slip into a coma.

With no one to tell your final lines to. No one to hear your goodbyes.

In the movies, the hospital patients look like mannequins.

Sickness is painted on with makeup.

Medical equipment is just another prop.

There are flowers on the bedside.

There are flowers.

But that’s not what death looks like.

Death looks like me calling Southwest Airlines in a panic to try to move my Christmas trip five days earlier because my mom might die.

Death looks like packing a black turtleneck dress next to a reindeer sweater because I’m not sure what the next seven days have in store.

Death looks like crying at an airport bar on a Monday afternoon while my flight’s delayed for two hours.

There is no glitter, no glamor in death.

And when I get to the hospital I’m rushed down dingy corridors lit by humming fluorescent overheads. It smells like latex and bleach and sweat (that I realize only later is actually my own).

Family members are on their phones contacting more family members. Everyone looks up when I arrive, but no one smiles. That’s what death looks like.

Like a monstrous version of the woman I call mother.

Blown up with so much fluid. So swollen I’m scared to touch her. Scared she might burst.

Death looks like eyelids held shut by medical tape.

Big puffy blisters all over her turgid face.

Black and blue bruises covering arms and cheeks.

Tubes shoved up her nose.

Yellow fingernails.

Needles coming out of her skin.

And small splotches of blood on the blanket from everywhere she’s been stuck.

In the movies, even the dying have a good hair stylist.

But mom’s soft hair was matted up on top of her head in a sticky, messy sumo-wrestler style bun.

She was foreign to me…unfamiliar.

I had to squint and study to recognize my mother in this ballooned woman lying on that hospital bed.

She looked like death.

Death looks like an oxygen monitor that keeps dropping further and further away from 100.

Death looks like a plastic bag that won’t fill up with urine.

It means she’s too sick. It means her organs are broken.

It means she’s not getting better.

It means she’s not coming back to say goodbye.

Death looks like planning a funeral four days before Christmas.

And opening the presents she got for me on the floor of her living room. Underneath her pink and white tree. Without her there to watch. Or hug. Or thank.

Death looks like two sisters with no mother.

Without a second take.

Without a denouement.

Without glamor.

Without glitter.

Without goodbye.

This is what death looks like.

baptized in grief

Circular Congregational Church Charleston SC by Steven Hyatt-13-L

I used to go to church all the time. Sunday school. Sunday service. Luncheons. Wednesday night supper. Choir practice. Youth group. I drank holy water growing up the way I drink red wine today.

But until this past Monday–Memorial Day–I hadn’t been to church since my Mother’s funeral in December. Not for Christmas. Not for Easter. Not for Ash Wednesday. Or Good Friday. Or Bad Fridays. Or any damn Sunday in between.

But on Monday, at 2:30 in the afternoon, I found myself on a wooden pew of the Circular Congregational Church in downtown Charleston.

I was there for a free concert, part of an annual performing arts festival. The Festival Singers, an a Capella group from Georgia, were scheduled to perform.

The sanctuary filled quickly with locals and tourists and family members and friends. The pews groaned beneath our weight. Bearing all the burdens we didn’t even know we carried.

Arriving early to ensure I could find a seat, I waited. Filled my lungs with deep, tense breaths. I steadied my trembling hands by clutching the purse in my lap. I told myself I could make it.

I held it together through the powerful opening number. Through the Funeral Ikos, devastating as the words were. Through the Polish folk songs from the Holocaust. Through the African spirituals. I held it together through the standing ovation. I heaved a relieved sigh, undetected among the thunderous applause; I was going to make it.

Then the music director turned to the audience. It is tradition, he explained, to end the show with Amazing Grace.

And that’s when I felt my chest swell. Like a raging river was rising up inside of me. And the beat of my heart matched the pace of those waters crashing against my rib cage. A dull, familiar throb pounded at my breastbone, just beneath my collar.

Because that’s where I carry my grief, my guilt, my pain.

A tall, slender soprano stepped forward to lead with a solo. Her voice cut through the humid Lowcountry air with piercing clarity and precision and ease.

Amazing Grace, how sweet the sound.

That saved a wretch like me.

I once was lost but now am found,

Was blind, but now I see. 

My river found its way to the surface. Slipping down my cheeks in quick, sloppy tears. I struggled not let out an audible cry. Not to visibly shake.

But I did nothing to stop those tears from coming.

I cried for my love-hate relationship with religion. For needing it now more than ever, while feeling it slip further and further away.

I cried for my own wretch of a soul. Wading blindly through the waters of doubt and grief. No grace in sight to save me.

And though it should have been a day when I cried for those who gave their lives for this country, I cried instead for the woman who gave life to me.

As that unwavering soprano voice soared along the arches in that sacred space, I let the words wash over me.

Through many dangers, toils, and snares

I have already come.

‘Tis Grace that brought me safe thus far

and Grace will lead me home.

I let the tears take with them even the smallest salty portion of my sorrow.

That moment of release was all the grace I needed.

 

Photo Credit: “Circular Congregational Church Charleston SC” by Steven Hyatt, available for purchase at The Churches of the World

many forms of mother

"I am mother," a painting of my mom's
“I am mother,” a painting of my mom’s

My mother died this past December. I say “died” because “passed away” is too gentle. Too sweet. She was snatched out of life; she was ripped from us; she was stolen. There was nothing passive about it.

Since then, I’ve had my first Christmas without her. My first New Year’s without her. Her 57th birthday. Without her. And I’ve managed to survive each one.

But May . . . May may just be what does me in.

I open my email each morning and every subject line is “Tell Mom You Love Her,” “Perfect Gifts for Mother’s Day,” “Don’t Forget about Your Mom.” The in-store signs are equally dangerous. And the greeting card aisle? I’d rather be back in the hospital with her than trying to walk down it right now. I can’t even peruse the latest issue of Real Simple because mom is everywhere.

Everywhere, except here.

Needless to say, this Mother’s Day is going to be different for me. And so I’ve decided to do exactly what my mother would want: to stop grieving, stop aching, stop breaking, and to celebrate the many forms of mother.

Like my sweet sister, who strives to find mom-like things to say. Who let’s me call her when I’m hysterical and patiently calms me down. Who talks to me on my drive home so I don’t get lonely. Who buys me plane tickets to visit her and my own bottle of Design perfume. Who draws “Corkscrew.” Who tells me to write more poetry.

Like Grandmom, my mom’s mom, who asks how I’m doing and really means it. Who calls and emails and Facebooks–whatever it takes to touch base. Who offers love like only the mother of my mother could know how to do.

Like my best friend Amy, who knows everything I need before I ever say it. And would do anything for me without ever thinking twice. And makes me believe I’m the best person in the whole world.

Like my dad’s wife Rana, who made a point to send extra flowers to the funeral because she knew there could never be too many flowers. And offered to buy us even more Christmas presents. And hung my mom’s paintings in her home.

Like David’s mom, who welcomes me into her family unquestioningly. Who offers empathy without ever becoming overbearing. Who, even though David and I are 27 years old, sent an Easter card with money. Just like my mom would.

Like my friends from childhood and adolescence and college, Robyn, Tiffany, Leiko, Taylor, Brittany, who held my hand before the funeral, sent me the best care package I’ve ever received, kept me company on New Years Day, and made sure I knew they will always be there when I need them.

Like my Charleston friends, Madeline, Sarah, Joni, Kimberly, Stephanie, Amy who were waiting with hugs when I came back. Who are always ready to listen when I’m ready to talk. Who surprise me with capes and scarves and mustard blouses and good advice. Who buy me brunch with more biscuits than is humanly possible to eat.

Like my supervisors at work, Heather and Amy, who could not have been more human when I missed so much time. Who sent text messages full of hope and strength every day I was away. Who provide such a sense of comfort just by being the incredible women they are.

Like my aunts, Sandra, Sarah, Susan, who made the worst week of my life a little better by being extensions of mom. Who held me when I needed it, made sure I had something to eat and somewhere to sleep, and did all the things that mothers always do.

Like my extended family, Melanie, Gayle, Phyllis, Candace, Celeste, who remind me how lucky I am to be a McCollough-Shelnutt. And always know what to say to lift my spirits.

These women are proof that there are many forms of mother. And my mother would be the first to say so.

So to all the email blasts and commercials and radio spots and banner ads reminding me not to forget about mom, let me be clear: there will never be a Mother’s Day for the rest of my life that I forget about my mom.

But this year, this May, this Mother’s Day, I want to celebrate these women.

And say thanks.

Thank you for being a new form of mother in my life. Thank you for filling a gap in my heart. Thank you for weaving the seamless network of love and support and kindness that has kept me afloat for five tough months.

You are precious to me. Happy Mother’s Day.

revelations in grief

“You just don’t ever get over it.”

I guess that’s something I needed to hear.

Because each day the sun rises and pulls me gently from a dream, leaving your laughter echoing in my ears, only to rediscover that you’re gone, I know I’m not over it. And each day I creep along the Don Holt Bridge in rush-hour traffic, looking out my window at the diamonds blinking on the water below, and pick up my phone to call you and tell you about my day, I know I’m not over it. And as my mind races while I try to get some sleep, and when I forget to put sugar in my homemade oatmeal, and when I want so desperately to write about anything else, but the blank pages just stare back wanting only to hold more memories of you, I know I’m not over it.

No more than I was the day I let you go.

So when I heard those words – “You just don’t ever get over it” – my heart let out a heavy sigh. A burden I didn’t even know I carried, lifted from my shoulders.

For the rest of my life, my eyes may well with tears when I see a proud mother embracing her child. My throat may tighten like I swallowed a tennis ball every time I hear the singing of a choir. And our final moments together may always be the last thing I think of before I fall asleep.

And that’s okay. Because some things you don’t ever get over.

And now that I know, I can stop trying, stop hoping, stop waiting. For peace and normalcy and comfort that will simply never come.

You’re gone.

I’m not over it.

And I never will be.

My sweet mom, May 2013.
My sweet mom, May 2013.

prayer of the mourning child

Now I lay me down to sleep,

I pray the Lord my soul to keep.

But still I lie, eyes wide awake,

And feel my hands begin to shake.

For in dreams that wait to strike my mind,

Your heart beats on; we still have time.

I feel your laughter, hear your song.

I hold your hand and hum along.

I have no troubles; all is fair,

And I don’t dread what’s after prayers.

For momma’s love still holds me tight,

And keeps me safe till morning light.

But dreams are wishes of the soul;

They cannot make the broken whole.

And so my mind runs unaware,

Of lips that whisper children’s prayers.

“Now I lay me down to sleep.

I pray the Lord your soul to keep.

If I shall die before I wake,

Please wait for me at heaven’s gate.”

the day before the longest night of the year

Some days grief swirls around me in violent bursts, whipping and stinging my skin in a fury of longing and dread. Some days I feel her warm hum hovering around my ears, singing sweetly that she has never left my side.

But part of her did leave. Silently and swiftly, my mother crept away from us. My sister and I by her side, clinging to each arm. Blevin softly singing hymns while the EKG counted down the time we had left. I pressed my face into her breast, as her bloated hand, shiny and rigid, rested stiffly, numbly on my arm.

I cupped her forehead with my hand and patted her soft, fine hair. The same hair as mine. The hair I always used to complain about. As I leaned in to kiss her cheek, I strained to breathe in her gentle scent and bring her back to me, even if only for a moment. And just as a sweet mix of Suave shampoo and Design perfume filled my lungs, she was gone.

When I was younger, I was scared of having children. My mom and I had such a special connection, I believed it impossible to have the same relationship with a little girl of my own. That’s how much I loved her. In an unmatchable way. In a way that could not exist twice in the same universe.

I loved her like an anomaly. And she loved me like I was still a part of her womb.

She had the perfect advice for every situation, every conflict, every worry. And when she wasn’t sure the right thing to say, she’d talk to my angels or do a tarot card reading or look up how Gemini’s are being affected by the moon cycle until she had a response she deemed acceptable, until she felt like she had helped.

She would advise me to write out my troubles, to jot down my dreams. When stressed, she told me to imagine myself as a hollow reed, letting calming air flow through my body.

She told me I was beautiful. She told me I was brilliant. She told me I was a writer. And whenever I was struggling to make a decision – no matter how big or small – she told me to do what my body told me to.

So as I stood paralyzed in that critical care unit, deprived of sleep and drained of tears and watching her struggle for every shallow breath, I whispered back to her what I thought she needed to hear:

My sweet momma, if you are tired of fighting, if you are weak and weary and worn, if you can hear the angels calling you home, don’t you worry about your little girls. Listen to me when I tell you, it’s time to heed your own advice. And do what your body tells you to.

"Harvest Queen," a painting of my mother's
“Harvest Queen,” a painting of my mother’s

my mema

My Mema. She taught me how to set the table. Forks on the left. Knives and spoons on the right. Every meal was served with a fruit tray and a vegetable platter. A pitcher of sweet tea and hot butter rolls.

My Mema. She left us last Friday.

She showed me the difference between camellias and jonquils and magnolias and azaleas. She pointed our hummingbirds and mourning doves and finches and buntings.

My Mema. She left behind her a husband of 61 years.

She made homemade peach ice cream and lemon icebox pie and homemade hot fudge. She whipped up pot roast and fried okra and Reuben sandwiches. She showed me how to make caramel icing. She chuckled as I complained about burning my cake layers.

My Mema. She left behind two beautiful, perfect sons.

Growing up, she kept plastic smurfs in the bathtub for the grandchildren to play with. When she moved to a retirement community, they took residence in her shower. She took us out to pick blueberries in yellow buckets. She watched over us as we swam in lake. She let me bring coloring books to church.

My Mema. She left five heartbroken grand children.

She would save bows and bags and ribbons and tissue from Christmas wrapping and reuse it year after year. She had a lovely, warm southern drawl, using words like yonder and reckon. She was tough and sensitive at the same time. She was smart and witty. She was polite, dignified, gracious. 

My Mema. I thought she’d be here forever. I wasn’t ready to let her go. All southern grandmas are special, but mine was perfect. My Mema was just perfect.